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Human/Nature

About the Project

People love to love nature. We go through great expense and trouble to leave our cities and put ourselves into natural environments where we can enjoy these beautiful places. In this photographic project, "Human/Nature," I explore the relationship between people and the landscapes we love.

Throughout history, our aesthetic for the landscape has evolved. For example, during the mid-17th century, Europeans considered the wilderness to be ugly and unbridled. Travelers passing through mountainous and untamed landscapes during those times pulled the drapes closed in the carriages so as to not offend their eyes. The most admired landscapes in those times were fertile pastures.

These days, humans are more enamored with the wilderness. Many people treasure these wild places and fight fiercely to protect them. We go on safaris, flock to national parks, and take our children to zoos. However, do we regard ourselves as part of nature, or is nature something to be consumed?

About the Photographs

In this photographic series, the landscape remains motionless in relationship to the people buzzing through it. Using some photographic magic, I hold a up mirror so we can see how we look as we interact with the natural places we love. Lines are blurred between human and nature. And, while the landscape is still and unmoving, people appear as ghosts in the scene, as if Mother Nature knows that our place here on this planet is transient.

I made the first three photographs in Yosemite National Park, one of the most popular parks in the USA. People travel from around the globe to see this breathtakingly beautiful place. Yet, most visitors rarely stray far from the pavement.

In the fourth photograph, made at a lesser known Northern California waterfall, a woman pauses momentarily to touch the cool water falling from high above — an intimate connection with nature is made.

About the Prints

These prints are available as limited editions, carefully crafted one-by-one in my studio and shipped directly to you from me. They are made using the finest archival materials available, and rated to last 250 years if stored under glass and out of direct sunlight.

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1c crunched snajej

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